Wedding Invitations

I know I promised this a long, long time ago, and I thank you much for waiting so patiently while we got through a whole bunch of stuff. It was just too much for Christen and I to do all this work on the wedding AND find time to blog about it. I did make sure to take lots of pictures, so I hope you’ll think it was worth the wait as I start on this series of wedding posts. So without further adieu, I would like to share the invitations we made. 

Christen and Travis chose to wait about a year before getting married so they could have time to save up for the big day and to give us plenty of time to make all the crafty things we wanted. They found the perfect venue soon after, and we kept getting asked whether they had set the date, so we decided to send out “Save the Date” cards.

I designed these myself in Photoshop, using several fonts I downloaded from the internet. These included Lightfoot Shadowed, Safina Fancy, Jazz LET, Playbill, Dakota, and Little Lord Fontleroy. I also used Helvetica font, which usually comes installed on most computers.

For printing, I sent my postcard to Got Print, my go-to printing company. They offer fast, convenient service, highly competitive pricing, and they even have a facility right here in North Texas. Before sending your designs for printing, you’ll want to make sure you have designed the front and back as two separate files. You may need to convert to CMYK color, so be sure to read the instructions carefully for the optimal file format and observe the bleed marks, etc. We chose full color on both sides 4”x6” standard postcard on 14 pt. Uncoated Cover paper. Choose the online Instant Processing Proof to speed up the service and keep the costs down. We paid $31.88 for 100 postcards, including tax and shipping. Larger orders offer greater savings.

We had a lot of ideas about the actual invitations, but after months of playing with a Silhouette cut file that wouldn’t cut all the way (just too intricate at that size), we gave up and ordered this die set from Amazon*. We made about 130 invitations in all, and it took us a lot longer to cut out than we had estimated. For one thing, this tiny intricate die didn’t always cut well. We wound up having to use a shim and we had to stop frequently to cut wax paper with it a few times to help it release the little bits and pieces. There are so many tiny pieces in this design that it literally shredded my Sizzix Die Brush Tool*. After that, we tried a soft-bristled toothbrush before we settled on a stiff brush from my Sonic Scrubber*. The combination of the stiff bristled brush and the above-mentioned wax paper worked well, if a bit slow.

The die we used comes in two pieces, as shown. One cuts the pocket and the other is an edge die, which has a score mark to be placed against the fold-line of your trifold invitation. This particular die was designed to create a 4" x 6" card -- NOT the standard A2 (4 ¼" x 5 ½") card most commonly used in the U.S. We searched all over for a die to make the right size, to no avail. So we decided to make do with this one. The problem we found with this was that it was very difficult to get the score marks exactly perpendicular to the length of the card and exactly where it needed to be scored since we couldn't line up the edges of the die perfectly. Rather than try to precisely place the die on the fold, we chose cut the paper into 5 ½” x 12” strips and used the die on one end. Once it was cut, we could score at the edge of the die-cut area and fold it inward before trimming to the desired length…in this case, a standard 4 ¼” x 5 ½” card. So basically cut first, score, then trim.

The pocket die also contains score lines to help with construction. Simply fold the tabs inward and add adhesive before sticking it to the right-hand flap of your card. I used ¼” Scor-Tape* for a sturdy hold. 

The remaining parts inside the card were printed on my laser printer using Stampin’ Up Very Vanilla paper and a brown-toned ink using the following fonts: Imprint MT Shadow, Bell MT, and Octavina Swash. The Octavian font came as a bundle I purchases a while back from FontBundles.net, however it is also available for free on various font websites. The paid version offers contextual and stylistic alternates for many of the letters. We also added a text embellishment from the Type Embellishments One LET font. Embellishments like these are fun to play around with, and sometimes you can create lovely embellishments by combining two or more into a single arrangement. 

Inside the card, we included the formal invitation (on the left) and a Details card and the RSVP card in the pocket on the right. Right before we sent the invitations, we decided to also add a COVID statement/request as another item in the pocket to remind our guests to wear masks. 

The invitation was held together with a 1” belly band, trimmed to size. The “buckle” on the band was created with Mirri Lava metallic rose gold paper from The Paper Cut and the Artisan Label punch from Stampin’ Up. The punch is discontinued, but there are many fine dies and punches that would work just as well. The inner part of the buckle was printed on Stampin’ Up Very Vanilla on my laser printer using the Little Lord Fontleroy font again. I simply built the design using multiple layers of boxes and text boxes, moving each layer around until I had it where I wanted it. It’s hard to tell from the photo, but it was actually printed in black and then Travis (my new son-in-law!) ran it through my Heidi Swapp Mini Minc* to foil it in Teal*.

The other products we used to create the invitations were:

Bazzill paper in the color Blue Oasis, which I ordered from my good friend and former Crafty Neighbor instructor, Karrie Allen at Scrapp’n Savvy in Conroe, Texas.

 

Kraft Cardstock Paper from Hobby Lobby* 

 

One more little thing...because of the weight and thickness of the complete invitation, we had to add more postage when we took them to the post office.  My advice...put them all together and take one to the post office to be weighed before you put any postage on them...there might be a single stamp in the right denomination!

I hope you’ve enjoyed this little tutorial on making these lovely and lacy wedding invitations!  I’ll be posting more of our wedding crafts and other tips and projects soon. Don’t forget to like and subscribe to this blog so you don’t miss out!

*Here are links to many of the products I used. As an Amazon Affiliate, I earn from qualifying purchases.

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Time for More LOAD 512!

Time marches on, and at this rate it might be March 2013 before I get all these layouts uploaded.  All kidding aside, here are some more layout samples from the May LOAD.

Day 17:  Cartoon Connection

Lain’s prompt for this day was Cartoon Connection.  As mother to a family of cartoon and anime lovers, I could certainly have gone any number of directions with this prompt, but in the spirit of keeping it simple and getting things done, I opted to work on one of Christen’s dance layouts.  This actually kills two birds with one stone – not only do I get to use up some of those old film photos that have been laying around here for years, but I also get to work on eliminating stuff in the file cabinet where I keep all the documents and memorabilia like dance recital programs.  This particular program was very large and didn’t match my page, so I attached a file tab to the top and it will slide behind the page when I put it in the book.

The page itself is a very simple one.  Since the theme of the recital was Disney, I went with the Disney Castle and used “Once Upon a Time” as my title.  The title is actually a die cut from the Cricut cartridge “Storybook”.  The journaling medallion was die cut using my Big Shot and Stampin’ Up!’s nesting dies after I printed onto the cardstock with my printer.  The castle came from the Cricut cartridge “Life is a Beach”.  The paper came from a Die Cuts with a View paper stack called, of course, “Once Upon a Time”.

Day 18:  Smell

This Five Senses Friday prompt had me stumped for a while.  There are lots of smells I could scrapbook, but I really didn’t have pictures or paper for any of them, and one of the main reasons I did LOAD was to knock down the piles of photos, paper, and embellishments that are cluttering up my workspace.  So after a lot of thought, I settled on the smell of burning rubber.  This is a really simple page with no elaborate embellishments or techniques.  I like it that way.  I know a lot of scrapbookers who scrapbooked all their albums chronologically and who now look back on their early work with disdain because the pages are plain and simple.  The more techniques we learn, the more likely we are to clutter up our pages with them.  Don’t get me wrong, as you can tell from some of my layouts, I like a lot of glitter and bling as much as anyone, but sometimes layouts need to be simple, and there is nothing wrong with that.  One of the reasons I love scrapbooking my albums out of order is because styles and techniques change.  I like a mixture in my books and I don’t want to flip through it years from now and dislike what I see.

Day 19:  Pete/Repeat

Pete and Repeat were in a boat.  Pete fell out.  Who was left?  Repeat.  Pete and Repeat were in a boat.  Pete fell out…. It’s a silly joke that kids love, and it was also our theme for Day 19.  On this day, Lain challenged us to use something from the previous layout again.  Some suggestions included: use a photo over again, use scrap paper to make embellishments, use the same title, design, or color scheme, or even scrap the same subject from a different angle.

Didn’t I just do a blog about that?  Oh yeah…it was this one from the February LOAD:

What’s Old is New Again
http://craftyneighbor.blogspot.com/2012/02/whats-old-is-new-again.html

For this layout, I actually repeated several elements of my previous page. Not only did I repeat the strip of cardstock on the right hand side, but I also used a round embellishment as an accent on the title. The color scheme is also a variation of the muted pink, yellow and green that was used on the previous page. Even though the subject matter is not a repeat, they did both occur in the same year.

Tip of the day:

Do you own a Cricut?  Are you tired of thumbing through all the books looking for just the right embellishment?  Are you frustrated when you search for images on your Gypsy?  Do you wish there was a simpler way to find a specific die cut you are looking for?  Well there is!  MyCutSearch.com is a great search engine for locating Cricut designs. Here’s what the website has to say:

MyCutSearch.com will save you time when working on your scrapbooking, card making or paper crafts.  You will no longer have to flip through all of your Cricut handbooks or cheat sheets to find the perfect image to complete your crafting project.  Just type it into the search box and we will show you all of the choices you have.

Make sure to save the link to MyCutSearch.com on your computer.  Next to your scrapbooking paper, paper punches and tape runner, MyCutSearch.com could be your most important scrapbooking and card making tool.  When you think of scrapbooking and card making we hope you think of MyCutSearch.co

I used MyCutSearch.com to locate the castle I used on the Disney recital layout.  I love that I can search ALL cartridges, not just the ones I own.  Using the site has actually helped me decide to purchase a few cartridges I wasn’t sure I wanted.  A search turned up images that I thought I might use, and since Provocraft doesn’t put all the images on the outside box, I would never have known they were on the cartridge if I hadn’t used the search.  I also like that the website displays the images exactly as they appear on the font’s handbook – way better than the terrible drawings that pop up on my Gypsy.

Oh, one last thing….don’t forget to check our online calendar for upcoming events!  We have a lot of great scrapbooking opportunities coming up over the next couple of months.  You don’t want to miss it!

Where's the Fonts?

How many of you remember the old Wendy’s commercial “Where’s the Beef?” where the little old lady goes to the burger joint and winds up with a big fluffy bun and not much else? Some days, that’s the way I feel about my Cricut – there’s just no substance to it any more…no meat. It promised to be the next big thing in die cutting letters for titles in my scrapbooks, and I happily gobbled up whatever fonts I could get my hands on. Unfortunately, the answer to all my title problems has instead become a cartoonish collection of silly images and shapes that may look cute, but really aren’t very useful at all.

Don’t get me wrong…I love my Cricut. I own 32 cartridges of some of the cutest fonts, images, shapes, and graphic designs I could ever imagine. I use my Expression all the time and am slowly developing a gentle friendship with my Gypsy handheld. I cut out all kinds of cute shapes and letters for my scrapbooks, cards, posters, even a stencil for a Boy Scout cook box. But let’s face it -- it’s just not the title and letter cutting machine that it was made out to be.

For those of you unfamiliar with the history, the Cricut was first introduced in May of 2006 as an answer to Xyron’s Personal Die Cutting System and the Wishblade. It was marketed primarily to scrapbookers and crafters for cutting lettering and fonts for titles, posters, and journaling. Its main selling point was that it was several hundred dollars cheaper than the Xyron’s Wishblade and it did not require a computer for use. It also boasted a catalog of font and shape cartridges that promised infinite flexibility through adjustable sizing and optional features on each cartridge -- all for about the same price (or less) as a traditional die-cut font set such as the QuicKutz, Sizzix, and Accucut fonts that were popular at the time. The Cricut Personal Electronic Cutter was a smash hit and was soon followed by the Cricut Expression machine, which offered even more flexibility and options, as well as the ability to cut paper in sizes up to 12” x 24.

I got my Expression in 2008 as a birthday gift from my husband, and I immediately spent every bit of extra money I had, including several gift cards, to buy fonts for it. My favorites were the original Plantin Schoolbook, Storybook, Opposites Attract, and (eventually) the Hannah Montana font. What all these cartridges had in common was that they were all font-based cartridges, often with multiple options for different styles of lettering, and while all of them have at least some shapes on them, the images and shapes were not the purpose or main focus of the cartridge. These cartridges are still my go-to cartridges when I need a nice font quick. They represent a nice variety of styles that fit just about any occasion. But still I want more.

Of the 32 cartridges I own, about half of them contain a font of some sort. The others were either gifts (most of them) or were purchased for use on a specific project (Handy Man, 50 States, Destinations, Stand and Salute) and whenever I see that Provo Craft has released new cartridges, the first thing I look for is more fonts. At the time of writing, Provo Craft has released 283 cartridges, which averages to more than 55 new cartridges a year for the past five years. Sadly, other than a few Walmart-exclusive “Lite” cartridges, there has not been a single font cartridge released in almost two years.

So what happened? Why has Provo Craft abandoned the font lovers in favor of sickeningly sweet cuteness in the form of smiling watermelon images, cuddly critters, household objects, and holiday shapes? Why are we now reduced to going back to our traditional die cutting systems for new fonts, or worse yet, investing in a new system altogether? Is it time to revisit the Wishblade or the Silhouette? Many scrapbookers have turned to Craft Edge, the makers of Sure Cuts a Lot, for the answer.

Sure Cuts a Lot (SCAL) is a software program that enables Cricut users to use any TrueType font, SVG (Scalable Vector Graphics) file, or even your own drawing without requiring an additional cartridge purchase[i]. I haven’t used SCAL, but I’m definitely intrigued. I’ve been a collector of fonts since the late ‘80’s, and have used them extensively in my scrapbooks. Until now, the greatest drawback has been that I could only print those fonts. But if I could cut them out of paper, cardstock, or any number of other materials, well, then I would be a very happy camper!

The mere fact that this product exists demonstrates the obvious demand by Cricut users for more flexibility, and especially for fonts. Unfortunately, in response to the rise in sales of the SCAL software, Provo Craft did a really dumb and (at least to me) classless thing. Rather than accept the gauntlet that has been thrown, rising to the challenge and meeting the demands of their users by introduce more fonts and more flexibility, or better yet, by adding TrueType functionality to their existing (and popular) Design Studio software and Gypsy handheld devices, they decided to sue Craft Edge. Filing suit in January 2011, Provo Craft seeks to end distribution of the SCAL software based on alleged violations of their copyright[ii].

The controversial move has outraged many avid SCAL fans and Cricut users, and has been perceived as unjust, juvenile, bordering on the equivalent of siblings in the back seat of the car yelling, “He’s looking at me!” That Provo Craft would take this stance is quite a slap in the face to the thousands of Cricut users who have been begging Provo Craft for these options for years. It is obvious that Provo Craft is not interested in what its customers want or need, and that they are little more than a big bully on the playground insisting that everyone play the game their way.

Provo Craft needs to change their attitude if they expect me to keep buying their products. Start listening to customers. Stop beating up the little guys. Let the customers choose the way they want to play. Put some real meat in your products, not just silly fluff and big buns. That reminds me of another burger slogan, one that Provo Craft should adopt -- Burger King’s “Have it Your Way” campaign. Imagine being able to turn on your Cricut machine and cut out any letter, any shape, in any style or size that you could imagine. Now THAT would be something I could sink my teeth into!

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[i] http://en.wikipedia.org/wiki/Cricut

[ii] http://www.scrapbookupdate.com/s=Provo+Craft+Sues+Sure+Cuts+A+Lot&submit=Search